A: Well, that was an ad thing. The didn’t do it on this movie, but they used it on [TTT] . LOTR is such a closed world, in terms of the culture. I think that was the confusion on it. Trailers rarely use the music from the movie. LOTR was so scrutinized, that the fact that it had some other music on it was like “Well, what’s this music???” And in fact, trailer companies do that all the time. It’s like a normal kind of thing. So they just a piece of music. They use my music in other trailers from other movies. But the piece is not in the movie, and not connected to the movie, it’s just part of the advertising for the movie, which is done very “closed”. A contract is given to a trailer company and they have to deliver a trailer and the sound track. So they just do it themselves. You don’t really have any real influence on what they do. It’s a separately contracted thing. On this film, however, I did the trailer, and I did it because of that, because it created so much confusion. So I said, well, I’ll just do it. And I have done them on other movies. Tim Burton does his own. In Ed Wood we used all the music from the film. I prefer that, obviously, but sometimes it’s just not really in your realm of control.

Simone Benyacar, Dan Nielsen, Veigar Mairgersson and Craig Stuart Garfinkle are at least a few of the featured composers of a company called The Ant Farm (according to Soundtrack.net's Composer Information).

"The Ant Farm Music Department provides Music Supervision and Music Composition for motion picture advertising. We have seven Music Supervisors and three Composers to help build a marketing campaign. In the past five years our supervisors contributed song selection to such varied projects as Sixth Sense, Catch Me If You Can, Confessions Of A Dangerous Mind, Shrek, Pearl Harbor, and Signs. One of the most exciting achievements was selecting and re-recording a new version of Johnny Mercer's "Something's Gotta Give" with the Royal Crown Revue. The RCR version worked well enough to become the main teaser cue in Nancy Meyers' latest romantic comedy, "Something's Gotta Give".

Composition continues to be a key element to our success at The Ant Farm. We create both original material and scores based on existing cues. Our hit list includes scores for Unbreakable, Undercover Brother, Spy Kids 3, Shrek, Pirates Of The Caribbean, Lord Of The Rings (Fellowship Of The Ring), and Lord Of The Rings (The Two Towers). For the Two Towers campaign a re-orchestration of the Requiem For A Dream theme was employed to lift the second half of the trailer into the stratosphere. Three composers, forty musicians, and twenty choral voices helped to create a powerful piece of marketing music.

Our goal is to provide music placement and composition that supports and elevates our client campaigns into the all important box office opening and beyond."

More information on trailers and the companies that make them:
Hollywood Reporter

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The dedicated trailer shops that began springing up during the early 1970s are a vanishing breed. In their place are "diversified motion picture marketing companies" -- their words -- that promise to do everything to promote a movie except physically pluck people out of their homes and deposit them in a theater as the feature begins to roll.
[Read More]

Settling the Score

Music, in the words of the Ant Farm music producer Nathan Duvall, is the key to a successful trailer. "Try to see a trailer without music -- then see if you still want to see the film," he says. [Read More]